While not exactly loud enough to cut a gig, Neil Young toured for decades with his beloved ’59 tweed Deluxe, but he had to drag around a personal PA system just so he could hear it over the actual house monitors and PA.įor our model, the knobs range from 0–10 (instead of 1–12 on the original) to better match the other amps in Eleven, and for consistency with automation and control surface controls. Even with that dynamic range, its low wattage keeps it totally under control for recording. With just a simple tone control, ’50s-era Deluxe amps deliver crunchy clean sounds when used with single-coil pickups, and fat leads when driven with humbucking pickups. In fact, Carlton’s acclaimed solo on Steely Dan’s “Kid Charlemagne” is a Gibson ES-335 (with the guitar’s tone control rolled back) straight into a cranked Fender Deluxe. ![]() With a single 12-inch Jensen speaker and a pair of 6V6 tubes delivering 15 watts, Fender’s “tweed” Deluxe became a recording studio favorite for everyone from ZZ Top’s Billy Gibbons to jazz/fusion legend Larry Carlton. ![]() ![]() Here are all of the amps that it emulates along with a bit of their history, where you may have heard their signature tones, and how our models compare to the originals. We went to great lengths to obtain the world’s most sought-after vintage and modern amps-in their original state-to create the models in Eleven MK II.
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